| The Qube Cinema Advantage |
| Software-based Design |
| | Key functions performed primarily in software |
| | Easily upgradeable and extremely flexible |
| Reliability
|
| | Second generation, database-driven, modular software |
| | In use at over 600 sites in India, US and Europe |
| | Redundant hot-swap power supplies |
| | RAID 1,0 hard drives |
| System Architecture |
| | Follows DCI model for picture, sound and subtitling files |
| | Picture, Sound and Subtitle Track Files are separate and can be present in multiple locations |
| | Same media can exist at a central location and in local storage with cost per location |
|
| | Synced Track Files form Reels with in and Out Points |
| | Multiple Reels form a Composition |
| | A Composition is usually an entire Feature, a Commercial, a Trailer, etc. |
|
| | One or more Compositions form a Show along with Automation Events |
| | A Show can include other Shows and Show names can be Aliased |
| | This is an essential feature for centrally controlled advertising |
|
| | Windows XP EmbeddedTM OS |
| | Allows control over software components, features, stability and security |
|
| Security |
| | Encryption of media |
| | 128-bit AES standard as specified by DCI |
|
| | Access Control |
| | Control over Start Date and End Date for each media package |
| | Keys are 2048-bit RSA encrypted as specified by DCI |
| | System time and keys from tamper-proof hardware |
|
| | Link Encryption |
| | TI's CineLinkTM local link encryption over HD-SDI |
|
| | Watermarking (To be delivered by Q4 2006) |
| | Allows Unit ID, Play date and time to be identified |
|
| Ease-of-use |
| | Qube is a simple theater device, not a computer! |
| | USB Remote Control Panel has familiar Play, Pause & Stop controls |
| | Projectionist training will only take minutes |
|
| | Powerful, Interactive Web-based UI |
| | Allows secure remote management from NOC or from the manager's office |
|
| Media Management |
| | System automatically manages all local media |
| | Erases older, unused media to make room for new media |
| | Removes possibility of operator error |
| | Automatic media management can be disabled |
| Interoperability |
| | Certified MXF Interop compatible by Hollywood |
| | Dolby, Kodak, GDC, Doremi are other MXF Interop systems |
|
| | DCI JPEG2000 compatibility showing at NAB 2006 |
| File Formats |
| | Supports multiple container file formats including MXF, AVI and ASF |
| | Also supports MPEG Elementary and Transport Streams |
| Picture Compression Formats |
| | DCI JPEG2000 support now available! |
| | Supports MPEG-2 4:2:2, 4:2:0 and Windows Media 9 4:2:0 formats |
| | Upgradable with software codecs including MPEG-4 & H.264 |
| Sound Formats |
| | Supports linear 16-bit and 24-bit audio |
| | 48KHz and 96KHz sampling rates |
| | Can decode Windows Media 9 and optionally AC3 and MPEG audio |
| Subtitling |
| | Supports TI CineCanvasTM format subtitling |
| | Can render files internally or send data & timing over Ethernet to DLP CinemaTM projectors for rendering |
| | Internal Rendering is needed for E-Cinema and Sony SXRD Projectors |
|
| Multiple Picture, Sound & Subtitling Tracks |
| | Tracks are identified by language in QubeMaster |
| Intelligent Display Aspect Handling |
| | System aware of aspect ratio of display and anamorphic lens |
| | Will auto-resize images to display correct aspect on-screen |
| | Pixel accurate pass-through of data when no resizing is necessary |
| Auto-resume |
| | System can resume playback at point of power-loss |
| Automation & Control |
| | Automation using IP, Serial Port and GPI |
| | External control of Qube using Louth VDCP Protocol |
| | API for interfacing to third-party software |
| One Model Multiple Markets |
| | One model serves pre-show, e-Cinema and d-Cinema markets |
| | Special venue applications |
| | Multi-unit synchronization |
| Designed for the Multiplex |
| | QubeShare for shared media storage over Ethernet networks |
| | Up to 32 screens can share the same storage system! |
|
| | QubePlex for central unit status view and scheduling |
| Central Control and Reporting System |
| | Powerful QubeCentral system for back-end operations |
| | Schedules & verifies delivery of media packages and Show Playlists |
| | Sets up access control parameters for media packages |
| | Comprehensive on-line reporting possible |
| | As-run logs |
| | Health of theater units |
|
| Media Transport |
| | Physical media (USB-2 & FireWire Hard Drives or DVD-ROM Discs) |
| | Data lines |
| | Satellite links |
| | QubeCast application for multicast of shows from central server to multiple theaters using patented Digital FountainTM technology |
| From Qube Cinema, Inc. |
| | The company that knows cinema, audio, video and computers |
| | Unique combination of expertise in these domains |
| | People with a passion for cinema and a thorough understanding production, post-production and exhibition |
|
| | Proven expertise in managing complex technology transformations in traditional workflows |
| | Parent company brought Avid editing and DTS Cinema Sound to India |
| | Helped setup all required infrastructure in the country |
| | Trained industry on the systems and processes |
|
| | Over 1500 DTS Cinemas in India today and nearly 1000 Indian DTS Films |
| | Over 75% of Indian Feature Films edited on Avid systems |
|
| | Indian software development expertise! |